Boris the Blade release Warpath on 27th January. Named after Snatch’s arms dealing gangster, you probably get that your not going to be hearing romantic odes to Florence Fanny or whoever. No these guys are a Deathcore band full of anger as violent intent.
The albums title track Warpath, is also it’s opener. Psychotic glitches and relentless heaviness drive the track. An eerie melody underpins the all out battering of a great title track packed with machine gun double bass, groove elements and anger.
Second track,Backstabber, starts with a more atmospheric slow feel, but when the vocal smacks you in the face you know you’re listening to Boris the Blade, soon your head is spinning with tech metal runs and black metal melodies. It is a bit stop start in places, which put me off my stride a little, but then contains a glorious breakdown and second passage with a vocal performance Corey Taylor would be proud of and lyrics that Jonathan Davies would give you a blowy and a cheeseburger for.
Misery is in a similar vein to Warpath, another relentless barrage of aggression, with interesting changes in dynamics that flow into each other well. But directly after is Nihilist, which has a high impact opening full of atmosphere and punch. I like the way this track, in it’s own way, gives you a break from the battering ram of heaviness. It’s a creepy, dark number which stand alone is my favourite so far.
Omens is dark, extreme and abrasive and has the addition of a rapped/spoken word bit that reminded me of I Am Hated by Slipknot. It was a highlight of a track that unfortunately I didn’t quite get up to that point.
As soon as Paralysed opened up I started to think, ‘this is more like it’. A track full of drive and direction, brutally bludgeoning in a satisfying sadomasochistic way. Great drum work, guitar parts that are varied, skills up and melodic and heavy like a sledgehammer. A song that had my attention from beginning to end.
Thorns, in a similar vein to Nihilist, breaks things up a bit. Whilst it can’t be accused of not being heavy, it includes more mellow, ambient parts which sound like they could become an epic 20 minute tour de force. But that’s not what these fella’s do. No wanky flouncing, just moments of serene melody cut short by grievous intent! And you wouldn’t want it to be any different.
Devastated opens up with electro noises and machine gun bass drum. Again bringing an eerie ambience in droves, underpinned by the increasingly impressive drum work. Whereas Elixir follows the same paths as previously trodden on the album in terms of the heavy underlined by melody formula before the battering ram intro to Solace begins the end of the album.
By this point I am feeling battered and bruised! Mostly in a way like you might after lasting 12 rounds with Tyson! It left me with a great feeling, like I’ve had an outlet for my aggression and anger, but also wishing there was a knockout earlier in the fight. Whilst it lacks a track which stopped me dead and made me replay again and again the album as a whole is a great listen. It is full of good songs, excellent musicianship, and a vocal performance that is sublime in its anger and directness.
It should be a popular pick for Deathcore and Extreme Metal fans, fans of Technical Metal (some of the musicianship is simply incredible). I could also see it as a great feeder album into the more extreme side of the metal genre for those dabbling on the fringes. I could easily see a Slipknot maggot picking this up and having a eureka moment. It carries the right balance between melody, brutal belligerence and sinister intent to speak to a wide audience. And an album that can help broaden the horizons of music fans is worth its weight in munitions!